Friday, 7 December 2012

Sound

Foley Sound

All of the foley sounds I will require I will record myself using a directional mic and a digital audio recorder. I will take a buzz track for atmospheric sound and a foley track.

Script

No script is currently being used for my piece, although any voice used would be a voice over.

Non-diegetic Sound

I will write an atmospheric, sparse and tense electronic piece of music that matches the tone of the film. Its genre is difficult to pin down and would be best described (in loose terms) as progressive electronic. I will write, produce and record this music using Logic Pro 9 on my own computer and then transfer it onto Final Cut Pro as an mp3 file.

A clockwork Orange - Ominous and overbearing music, which gives a foreboding sense. Then a clean voice over is introduced, providing some context but is still in a menacing tone.

Burial: Homeless - This song carries dark vocals with large amounts of reverb and filters over them. This muffled sound gives a mood of desperation, whilst the cords provide a soft undertone. A sense of desperation is given.

Mount Kimbie: William - Soft, minor, chords in a beautiful synth with large amounts of reverb give a feeling of distance. A soft crackle gives the intro a fulness and then a filtered kick provides a new structure with the second chord sequence which is extremely comforting, with samples of people skateboarding and a singer, mixed very low. This provides a beautiful atmosphere.

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